Game Informer’s top 300 games

May 21st, 2018 8:32 AM
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Every one-hundred monthly issues, Game Informer magazine compiles a list of the best games of all time. These lists fluctuate with the magazine’s staff and as new games are released and old games are forgotten. Recently, issue #300 revisited this tradition with the staff’s top 300 games. You could call the result arbitrary in the sense that they are highly subjective, but it doesn’t change the fact that, with roughly 300 new games being released on Steam every month, to be counted among the top 300 games of all time is an honor, regardless of who it’s coming from or how the decision came to be.

While some institutions frequently overlook the Apple II’s contributions to gaming, Game Informer has not committed that error, with four games — more than a full percent of the list! — being for the Apple II. Every game on the list got at least a one-sentence summary; most games also had a screenshot; some games further received a full paragraph. All four Apple II games warranted screenshots, and two of them received those lengthier write-ups:


Oregon Trail (#104)

Oregon Trail

Fording a river, contracting snakebites, starving — you and your friends probably died in all these ways and more while playing The Oregon Trail. This wasn’t just an entertaining simulation; MECC’s revolutionary piece of educational software leveraged new technology to engage students’ imaginations beyond textbooks. While the Apple II version of The Oregon Trail wasn’t technically the first, it’s the one most ids played as they crowded into school computer labs.

Wizardry: Proving Grounds of the Mad Overlord (#131)

Wizardry: Proving Grounds of the Mad Overlord

Sir Tech’s text-heavy dungeon crawl provided the backbone for many of the long-running RPG series that followed.

Zork (#186)

Zork

Though this text game is hard to go back to now, Zork is undisputedly the progenitor of any video game that sought to emulate having an adventure.

Lode Runner (#197)

Lode Runner

Lode Runner combined twitch Pac-Man skills with the ability to dig into the level, trap enemies, and collect gold, creating an ever-changing puzzle game with seemingly infinite configurations, including levels of your own design. It also required both quick thinking and the strategic foresight to decipher increasingly complex levels, becoming a must-have for the home computer, and setting itself apart in the arcade-dominated market.

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More Steamed Apples

July 31st, 2017 10:40 AM
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At KansasFest 2016, I presented parallels between classic gaming and modern Steam games. The session was called "Steamed Apples" and was largely based on indie games I’d encountered while researching and hosting the IndieSider podcast.

That podcast ended earlier this month, but not before I discovered several more games reminiscent of Apple II software mechanics and aesthetics. That combined with unused notes from last year’s presentation led to its follow-up at KansasFest 2017: "More Steamed Apples".

Unlike last year, I no longer constrained myself to games available for Mac, Windows, and Linux, as some of the below games are Windows-only (such as Lode Runner Legacy) but were too good a fit to pass up. Also, as I did last year with Plangman, I accidentally slipped one non-Steam game in when I included Leadlight Gamma, which is available from itch.io only.

I’ve recategorized the genres since the presentation to make them a better fit, and to be more consistent with last year’s categories.

GenreClassic gameSteam gameIndieSider?
ActionCrystal QuestEllipsisYes
ActionDino EggsDino Eggs RebirthNo
AdventureOut of This WorldOutlandNo
ActionLode RunnerLode Runner LegacyNo
PuzzleLemmingsInklingsNo
PuzzlePipe DreamWorld of GooNo
SurvivalOregon TrailThe Flame in the FloodYes
Text AdventureZorkLeadlight GammaYes
Choose Your Own AdventureScholastic Microzine TwistaplotOpen SorceryYes
Choose Your Own AdventureScholastic Microzine TwistaplotEmily Is AwayYes
Choose Your Own AdventureScholastic Microzine TwistaplotThe Warlock of Firetop MountainYes
Choose Your Own AdventureScholastic Microzine TwistaplotFirewatchNo

As IndieSider has now concluded its run, I don’t expect there will be a third session in this series. But the games included in these tables should be enough for any Apple II user to get their entertainment fix in a modern computing environment.

The 10 most expensive Apple II games

October 21st, 2013 5:22 PM
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Brian Picchi: I’m your biggest fan. You were a great guest on Open Apple; your Apple II videos on YouTube are informative and entertaining; your Deadly Orbs game is killer; and your website runs WordPress.

But where have you been all my life — or at least, the last month? I haven’t heard so much as a peep out of you, so I went digging through your YouTube channel to find the latest. Uploaded on September 14, your rundown of the most expensive Apple II games on eBay was a fun watch:

For your fans in a rush, here is a summary of your findings:

GameValue
Wings Out of Shadow$0709
Labyrinth of Crete$1000
Cranston Manor$1525
Mystery House$1691.66
Ultima I+II$1775
Time Zone$1825
Softporn Adventure$1999
Zork$2495
Starcross$2495
Akalabeth$4900

I’m not much of an eBay user, having taken 14.5 years to earn my 100-star rating this month. The only Apple II software I’ve bought on eBay is Microzines; I’ve never paid more than $20 or so for anything Apple II-related on the auction site. That anyone has so much money to spend on these games is a little baffling to me. I understand the appeal of collecting items of historical significance — no one is buying Akalabeth to play it — but that’s a lot of dough to drop on something of esoteric interest. A framed Akalabeth over your mantle won’t engage many house guests.

But hey, I know you’re not just trawling eBay to pick up some games, Brian Picchi; you’re one of those hawkers of rare goods, with a copy of Akalabeth all your own. I’m sure your wife will be happy when you cash in those chips.

So keep up the good work, Brian Picchi — just don’t go a whole month between videos, if you can help it.

Ancient DOS games

August 15th, 2011 11:11 AM
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Thirty years ago, when multiple incompatible computer formats vied for dominance, there were as many cross-platform games as there were exclusives. Companies who could afford to port their software benefitted from a larger potential audience, resulting in Mac, DOS, and Apple II users having similar yet disparate experiences of games such as the Ultima series.

The modern benefit to such historical cross-pollination is that many classic Apple II games can still be enjoyed, albeit in alternative formats. For example, in the July episode of Open Apple, I mentioned a free version of Ultima IV that requires DOSBox. (Several listeners recommended I instead run the game using Boxer, a DOS emulator specifically for the Macintosh.)

For a more turnkey approach to reliving the classics, I recommend two online distributors who have made games such as Ultima and Zork available again: Steam, and Good Old Games (GOG). Unlike the remake of Ultima IV (or even ADG’s non-profit remakes of King’s Quest), Steam’s and GOG’s offerings are not free for the taking — but these commercial products are designed to be run from a modern operating system, usually Windows XP or higher but occasionally for the Mac as well. How else can you easily and legally enjoy the Zork anthology for just $3.59, or four classic LucasArts point-and-click adventures for $9.97, in a native, offline environment?

If you’re not sure which of these games to start with, you don’t need to delve into old issues of Nibble to find what critics of the age had to say. Modern reviews are still being published at Web site Pixelmusement under the title Ancient DOS Games (ADG). Here’s their review of King’s Quest II:

They may not be identical with the Apple II games you remember, but these games are legitimate originals that have taken straight from the past to be enjoyed in the present. So… enjoy!

Livescribe Zork

January 27th, 2011 9:53 AM
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As people like Andrew Plotkin and Wade Clarke and games like A House in California demonstrate, text adventures and their cousins are still capable of innovative gameplay, decades after the genre’s emergence. Such creativity usually takes the form of unique software features and storytelling techniques — but let’s not overlook the role of hardware.

I first became aware of the Livescribe Echo pen in Major Nelson’s podcast, when co-host Laura Massey demonstrated a small portion of its features. This traditional ink pen includes modern electronic features to remember what you wrote and even interact with those writings. For example, by drawing a picture of a piano keyboard, one can then use the pen to tap on the keys of the piano illustration, and the pen will emit the corresponding tones, as if it were a real piano.

Apparently the pen is also programmable, allowing the implementation of original functions. One hacker took advantage of this opening to create two games for his writing implement. The first, Tic-Tac-Toe, is not of specific interest to readers of this blog, but I’m including it in the embedded video to provide a simple demonstration of how the pen works. But the second game, Zork, seems beyond what any pen should be capable of.

Infocom games have long been ported from their original platforms, with a move to portable devices being especially popular these past few years. But the above example is an entirely new medium in which to play interactive fiction. Practical? Not especially. But it showcases the outside-the-box thinking that has made text adventures popular in the first place. Who knows where they’ll go next?

If you prefer a classic interface for this classic game, try Good Old Games, which is currently selling six Zork games for six dollars.

(Hat tips to Eric Neustadter and Jason Scott)

The return of interactive fiction

November 18th, 2010 10:09 AM
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Text adventures, or interactive fiction, are currently en vogue, as evidenced by more than the release of the medium’s own documentary. Beyond GET LAMP and its niche market, IF has been making appearances in even mainstream media, leading the way for new and exciting developments in this classic gaming genre.

My cousin, bless her heart, emailed me this clip from the CBS sitcom Big Bang Theory, asking, "Do you remember these games, or are they before your time?"

I suspect most of BBT‘s geeky audience will recognize and appreciate this nod to gaming’s textual origins, as even modern gaming has taken to acknowledging its roots. Earlier this month, Activision released the highly anticipated first-person shooter, Call of Duty: Black Ops (or CoD:BlOps for short). The game includes an Easter Egg: hidden within but accessible from a virtual computer terminal in the game’s militaristic setting is none other than Zork itself. This treat is made possible by Activision’s purchase of Infocom in 1986, seven years after the company was founded and three before it was shut down.

Although this bonus feature is an amazing opportunity to introduce the current generation of gamers to interactive fiction, Jason Scott points out an inherent flaw in the context in which Activision has chosen to do so. Players of CoD:BlOps are expecting an intense, fast-paced, and violent experience, filled with twitch reactions and realistic graphics. To ask them to slow down, sit at a virtual keyboard, and be challenged by the puzzles of Zork only brings into contrast how far gaming has come, and the obstacles IF now faces.

Nonetheless, those obstacles are being tackled — and overcome — by the likes of Andrew Plotkin. This IF designer, interviewed in GET LAMP, recently set out to use Kickstarter to raise enough money to quit his day job and dedicate himself to creating text adventures for Mac, PC, and iPhone. He hoped to raise $8,000 in 30 days; in the first twelve hours, he raised $12,000.

Many of Plotkin’s current works can be played on his homepage, where we should expect to find the fruits of his labors continue to be published once his sabbatical begins.

In the meantime, if you want to try a point-and-click interface that explores abstract concepts in an interactive fiction-like experience, try A House in California, loosely based on the Apple II classic Mystery House. It’s one example of how far IF actually has come in the past three decades — even if it is no Call of Duty.

(Hat tips to Andy Molloy and Jason Scott)