Apple II Bits

The third Steve Jobs film in two years opened nationwide this past Friday. Having just seen the Steve Jobs documentary last month, I wasn’t inclined to consume more history of Apple’s co-founder — not to boycott his deification or the potential misrepresentation of Steve Wozniak, but due to an oversaturation of the topic.

In fact, this past August, I emailed my freelance employer, Computerworld, to ask which they wanted me to review: the documentary, or the drama? They responded with the former. I assumed this was because every media outlet was going to review the Michael Fassbender movie, whereas the documentary was more likely to fly under the radar; Computerworld could stand out by being one of the few sites to cover it.

Then they emailed me this month to ask that I review the Fassbender film anyway, with the thinking being that, if everyone else is reviewing it, Computerworld would be remiss to not also do so. I guess it works both ways: if no one is doing it, you should; and if everyone is doing it, you should!

My review was published last week, but here’s a summary: of the three films, Steve Jobs is the least historically accurate — and the most enjoyable. I was surprised how much I liked it, though I think it helped that I knew not to expect it to be true to life. For example, the character Seth Rogen plays is not Steve Wozniak — but he is a good character who serves a narrative purpose and drives the plot forward. It’s a good story, and a good movie.

Seth Rogen admitted that, despite meeting and studying the real Woz, the script made any adherence to Woz’s personality almost impossible:

… the character wasn’t really written that much in the voice of the actual Steve Wozniak, in my opinion. I think the themes are real to Steve Wozniak, the things he cared about, but the way he presents those ideas and the way he literally just interacts with people, from what I see, it’s not an incredibly realistic interpretation.

The cinematic and actual Wozes recently appeared together on The Tonight Show Starring Jimmy Fallon, where they played the game "True Confessions". Woz, Rogen, and Fallon each wrote a truth and a lie about themselves: one was then chosen at random and shared with the other players, and they had to guess if it was the truth or the lie. Woz went last, with his turn starting at 6:11 in this video:

They obviously had fun playing this game — just as I enjoyed Rogen’s spin on Woz.

Look for Eric Shepherd‘s review of Steve Jobs in the December 2015 issue of Juiced.GS.

(Hat tip to Seth Sternberger)

Can we have too many books and movies about Steve Jobs? Apparently not, as this October 9, the titular Steve Jobs hits theaters, with its first full trailer having been released last week:

Compared to an earlier teaser trailer, this look at Steve Jobs gives Michael Fassbender plenty of screen time in the title role. We see plenty of the ego and cruelty that often characterizes Steve Jobs; in that sense, Fassbender seems to be playing the role to a tee. But even critics of the 2013 film Jobs can likely agree that Ashton Kutcher looked much more the part than Fassbender does.

(Personally, I’ve never seen Fassbender in any role other than Magneto, so this will be a stretch for me.)

Aaron Sorkin was originally reported to be writing this film based on Isaac Walterson’s biography but with only three scenes, which seemed awfully limiting. According to Esquire‘s story — which has a great headline: "Steve Jobs Is a Tech Visionary, Total Dick in the Steve Jobs Trailer" — the film is instead "structured around three Apple product lunches [sic]", which seems more reasonable. Spanning the eras will afford us the opportunity to see Jobs’ maturation (or lack thereof) as a person and leader.

Some Apple II enthusiasts are already decrying this film for casting Seth Rogen as Steve Wozniak. But if Woz has as small a role here as he did in Jobs, then it’s likely not to matter — besides, even Woz himself says a bit of fiction makes for good cinema. So, as before, I’ll be seeing this film — will you?

(Hat tip to Angela Watercutter)