California Typewriter
| February 19th, 2018 8:18 PM by Ken Gagne | Filed under Musings; 3 comments. |
This weekend, I watched California Typewriter, a 2016 documentary about the professional and hobbyist communities surrounding typewriters. A narrative thread weaves through the titular California Typewriter, a family-owned shop in Berkeley, California — but the film’s scope encompasses many other typewriter enthusiasts, including Tom Hanks, who’s collected over 250 typewriters and who has lent his name to the typewriter-inspired iOS app Hanx Writer.
Typewriters were an essential step in the evolutionary history of personal computers, establishing such standards as the QWERTY keyboard. As a retrocomputing enthusiast, I appreciated the veneration these collectors feel for these classic machines. Offering a dedicated environment in which to focus on one’s writing, free from distraction, notifications, or multitasking, is something typewriters and the Apple II have in common.
But I must disagree with a few qualities of the typewriter that were touted as strengths compared to personal computers. I didn’t take notes during my viewing, so I’ll paraphrase Tom Hanks who said that a personal, typed letter is more likely to survive the ravages of time. He cited an example of a thank-you note that playwright Noel Coward sent in the 1940s and which is now framed and preserved. Hanks pointed out that it’s easy to delete an email, and if Coward had been able to send something via that medium, it would’ve been unlikely to have survived to present day.
But the best way to preserve something isn’t to put it in one medium over another — it’s to put it in as many hands as possible. Coward’s letter is unique and singular; should anything happen to it, there are no copies or means by which to reproduce it. By contrast, something that is digital in origin or which is scanned into a digital format will almost always exist somewhere. Observe the history of Hewlett-Packard, meticulously recorded in hardcopy only and then lost in a fire this past October. Those documents were as irreplaceable as Coward’s letter; had they been digitized, they likely would’ve lasted as long as that letter, too.
The movie also featured musician John Mayer‘s multiple complaints against electronic documents. First, that they showed no record of how something was created; apparently he’s never heard of version control and incremental backups. Second, while he acknowledged that digital files will last forever, he likened it to a trash pile: yes, the files exist, but no one ever goes through them or sees them again.
His statement is likely based on personal experience and is likely true for most individuals: I still have every email I sent in college but haven’t looked at them in twenty years. But when it comes to famous individuals or archaelogical artifacts — as both are the case with Ted Nelson — such "trash piles" hold at least as much historical value as a playwright’s thank-you note.
I appreciate typewriters and those who admire them, and the California Typewriter documentary drove home their kinship with retrocomputing enthusiasts. Both typewriters and personal computers such as the Apple II have unique strengths that needn’t come at each other’s weaknesses.
As a bonus, I learned that, just as floppy drives and ImageWriters can be played as musical instruments, so too can typewriters! Witness the Boston Typewriter Orchestra:
