Apple II Bits

One of my favorite annual traditions is the Boston Festival of Indie Games, or BostonFIG. Currently in its seventh year, this one-day event held at MIT is an opportunity for independent game developers to exhibit their works in progress and new releases. I love the creativity on display, where game designers who are not beholden to major studios can demonstrate original game ideas and concepts, be they commercially viable or simply interesting.

Interactive fiction has made appearances at BostonFIG before, and this year’s festival was no exception. The Interactive Fiction Technology Foundation is based out of Boston, and their booth this year showed off everything from Infocom games (perhaps not indie, but Boston-based!) to the more recent Hadean Lands (whose Kickstarter I supported way back in 2010!). The IFTF is such a staple of BostonFIG that I was chatting with its organizers for a minute before I realized something new right in front of me.

An Apple IIc… at BostonFIG!

I always thought it would be fun to bring an indie game like Lawless Legends to BostonFIG, but the IFTF beat me to it by using an Apple IIc to show off classic Infocom games. They were running off the original floppies, as opposed to 4am’s newer Pitch Dark GUI. The table was manned by Andrew Plotkin, who I interviewed for Juiced.GS‘s cover story about interactive fiction seven years ago; and the Apple IIc was provided by Nick Montfort, an MIT professor whose book, Twisty Little Passages, Juiced.GS reviewed nine years ago.

So as to not block the table from interested festival-goers who might not already have heard the good word of interactive fiction, I didn’t linger at the table. But I was very glad to see this precedent set, and I hope to see the Apple II at future BostonFIGs.

Last summer, I explored interactive fiction in my biweekly podcast, IndieSider, when I interviewed Apple II user Wade Clarke about his Eamon-turned-Inform game, Leadlight Gamma. I enjoyed our discussion interactive fiction, one of these oldest forms of electronic entertainment, but it was only recently that I finally gave the medium the coverage it deserved on my other podcast, Polygamer.

Polygamer finally turned its focus to interactive fiction with this summer’s founding of the non-profit Interactive Fiction Technology Foundation:

The Interactive Fiction Technology Foundation (IFTF) helps ensure the ongoing maintenance, improvement, and preservation of the tools and services crucial to the creation and distribution of interactive fiction, as well as the development of new projects to foster the continued growth of this art form.

To discuss this important step in the development and preservation of text adventures, I spoke with IFTF co-founder Chris Klimas. That hour-long conversation can be heard in Polygamer #50:

Chris isn’t just on the board of the IFTF; he’s also the creator of Twine, an open-source storytelling engine. It and Inform are possibly the most popular modern tools for the creation of interactive fiction. Its accessible architecture has made game developers of those who previously considered themselves only storytellers,
removing the gatekeeping that has kept so many narratives from being shared. One of its most notable manifestations came from Zoë Quinn, a game developer who has also been on Polygamer, when she used Twine to create Depression Quest, one of the first entries in the emerging genre of empathy games.

My discussion with Chris ranged over all these topics and more: gatekeeping, education, crowdfunding, and the annual IFComp, which is currently underway. It was one of the most enjoyable episodes of Polygamer I’ve recorded in awhile, and even if we didn’t directly discuss the Apple II, I’m confident that retrocomputing users will find it a fascinating discussion about the complexities and possibilities of a medium our platform helped give birth to.

For more discussion about IF and the IFTF, listen to Retro Computing Roundtable #136:

[Full disclosure: I have donated to the IFTF.]