An Apple II appearance in Beep!

February 13th, 2017 12:48 PM
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I have a growing collection of documentaries in my watch queue, many of them springing from Kickstarter. If I see a topic I like, I can’t help but throw $15 at it — especially if it’ll get me a digital copy of the movie, years down the road.

Such is the case with Beep: A Documentary History of Game Sound. This movie, crowdfunded in 2014, chronicles the evolution of audio composition technology in the interactive entertainment industry, featuring interviews with composers for such classic games as Marble Madness. A variety of hardware platforms and sound processors are featured, especially the Commodore 64 and its infamous SID chip — but disappointingly, at no point did I hear mention of the Apple II.

But I did see it! In two scenes, the narrators’ commentary is overlaid with B-roll footage of convention-goers (perhaps at MAGFest?) using classic computers. At 25:19, the machine on-screen is very obviously an Apple IIGS, though the exact software being demoed is indeterminable; minutes later, at 32:44, an Apple RGB monitor — perhaps the same one previously featured, but from a different angle — can be seen in the background.

Playing an Apple IIGS in Beep documentary

Apple IIGS monitor in background of Beep documentary

Given the breadth and depth that Beep set out to cover, it’s unsurprising that they wouldn’t have the opportunity to focus on our favorite retrocomputer. But the Apple IIGS’s Ensoniq chip was one of the platform’s hallmark features, warranting acknowledgement right in the model’s name — the ‘S’ stands for "sound", after all. At least it had its cameo.

For more opinion about Beep, read my review on Gamebits.

Seth Rogen as Steve Wozniak in Steve Jobs

October 26th, 2015 9:01 AM
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The third Steve Jobs film in two years opened nationwide this past Friday. Having just seen the Steve Jobs documentary last month, I wasn’t inclined to consume more history of Apple’s co-founder — not to boycott his deification or the potential misrepresentation of Steve Wozniak, but due to an oversaturation of the topic.

In fact, this past August, I emailed my freelance employer, Computerworld, to ask which they wanted me to review: the documentary, or the drama? They responded with the former. I assumed this was because every media outlet was going to review the Michael Fassbender movie, whereas the documentary was more likely to fly under the radar; Computerworld could stand out by being one of the few sites to cover it.

Then they emailed me this month to ask that I review the Fassbender film anyway, with the thinking being that, if everyone else is reviewing it, Computerworld would be remiss to not also do so. I guess it works both ways: if no one is doing it, you should; and if everyone is doing it, you should!

My review was published last week, but here’s a summary: of the three films, Steve Jobs is the least historically accurate — and the most enjoyable. I was surprised how much I liked it, though I think it helped that I knew not to expect it to be true to life. For example, the character Seth Rogen plays is not Steve Wozniak — but he is a good character who serves a narrative purpose and drives the plot forward. It’s a good story, and a good movie.

Seth Rogen admitted that, despite meeting and studying the real Woz, the script made any adherence to Woz’s personality almost impossible:

… the character wasn’t really written that much in the voice of the actual Steve Wozniak, in my opinion. I think the themes are real to Steve Wozniak, the things he cared about, but the way he presents those ideas and the way he literally just interacts with people, from what I see, it’s not an incredibly realistic interpretation.

The cinematic and actual Wozes recently appeared together on The Tonight Show Starring Jimmy Fallon, where they played the game "True Confessions". Woz, Rogen, and Fallon each wrote a truth and a lie about themselves: one was then chosen at random and shared with the other players, and they had to guess if it was the truth or the lie. Woz went last, with his turn starting at 6:11 in this video:

They obviously had fun playing this game — just as I enjoyed Rogen’s spin on Woz.

Look for Eric Shepherd‘s review of Steve Jobs in the December 2015 issue of Juiced.GS.

(Hat tip to Seth Sternberger)

Michael Fassbender is Steve Jobs

July 6th, 2015 11:50 AM
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Can we have too many books and movies about Steve Jobs? Apparently not, as this October 9, the titular Steve Jobs hits theaters, with its first full trailer having been released last week:

Compared to an earlier teaser trailer, this look at Steve Jobs gives Michael Fassbender plenty of screen time in the title role. We see plenty of the ego and cruelty that often characterizes Steve Jobs; in that sense, Fassbender seems to be playing the role to a tee. But even critics of the 2013 film Jobs can likely agree that Ashton Kutcher looked much more the part than Fassbender does.

(Personally, I’ve never seen Fassbender in any role other than Magneto, so this will be a stretch for me.)

Aaron Sorkin was originally reported to be writing this film based on Isaac Walterson’s biography but with only three scenes, which seemed awfully limiting. According to Esquire‘s story — which has a great headline: "Steve Jobs Is a Tech Visionary, Total Dick in the Steve Jobs Trailer" — the film is instead "structured around three Apple product lunches [sic]", which seems more reasonable. Spanning the eras will afford us the opportunity to see Jobs’ maturation (or lack thereof) as a person and leader.

Some Apple II enthusiasts are already decrying this film for casting Seth Rogen as Steve Wozniak. But if Woz has as small a role here as he did in Jobs, then it’s likely not to matter — besides, even Woz himself says a bit of fiction makes for good cinema. So, as before, I’ll be seeing this film — will you?

(Hat tip to Angela Watercutter)

Preparing for the Jobs film

August 12th, 2013 7:36 PM
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Filed under History, Mainstream coverage, Steve Jobs;
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Just a few weeks too late for a KansasFest outing, the Jobs movie finally debuts this week. To build hype, a second trailer has been released.

When I posted the video to Facebook, it received no replies — perhaps because the discussion was still active elsewhere in the group, where 35 comments reflected little enthusiasm for or faith in the film. "The clips I saw of how they portrayed Woz was enough for me to forget this film exists," wrote Paul Lipps. Similarly on Google+, Bill Loguidice wrote, "The poor Woz interpretation alone kills it for me." Added Brendan Robert, "I’ll only see it if they don’t screw up Woz." I agree — and so does Woz — that his character is poorly, stereotypically portrayed.

Yet I am inexplicably excited to see this film. Perhaps because it’s a mass-media manifestation of the inventor whose most famous creation my fellow Apple II users and I have celebrated for decades. Too often I’ve been disappointed by people not knowing Steve Jobs co-founded Apple with "the other Steve". Even if our hero is poorly represented, won’t it behoove us to educate the masses as to his existence?

Or maybe it’s not just Woz but more broadly the history of Apple I’m interested in. I’m finally reading Walter Isaacson’s Steve Jobs, the biography released shortly after Jobs’ death in October 2011 and which I received as a Christmas gift that year. I’ll never complete the massive tome in time for the film’s release, but it’s already refreshing my memory with details that I hope to see evidenced on the silver screen.

Or maybe I relish seeing the film because I know it’ll be terrible. On the subject of ancient computers, surely nothing could be worse than my experience wanting to walk out of last month’s Computer Chess. It’s all about having proper expectation — though Apple Insider user Enigmamatic warns even that may not be enough:

I got to see this movie at a pre-screening this week and I don’t know why they are letting people see it early. It’s worse than one thinks and I went in with very low expectations. It’s poorly written with ridiculous dialogue and no exposition. Virtually the entire movie takes place with no explanation as to why anything in the movie happens. It’s just a parade of scenes that the viewer has to accept. Truly a horrible movie that was obviously pushed through production to get it out first and take advantage of Jobs’ death.

Soon we’ll all be able to reach our own conclusions of whether this film surpasses its predecessor, Pirates of Silicon Valley, or if it warrants its own RiffTrax. I hope to see it in time to provide a review to Computerworld. Follow me on Twitter, or follow my film blog, for updates!